Category Archives: On Writing

Query Letter for The i Tetralogy (Updated)

Dear Editor:

I am querying you as to a possible review of The i Tetralogy.

The i Tetralogy  is a fictionalized account of the devastating effects of the Holocaust. The culmination of four decades of reflection and introspection, my therapeutic work with Holocaust survivors, and my own experience as an American Jew — the tetralogy captures the internal destruction of this epochal event, providing a powerful perspective into the lives of its victims and perpetrators, as well as the legacy it has left behind.

As to the tetralogy: assaying the monumental impact of the Holocaust, the tetralogy elucidates a truth abut humanity. The Holocaust has forever defined the species as indelibly damaged, capable on a molecular level  of killing and consuming its own. Experiencing this unvarnished — perhaps axiomatic — truth, which no revisionist can deny, the reader ponders the risk of forgetting, sanitizing, “sweetening” the Holocaust.

As you well know, books like this struggle; however, reviews have been excellent, many appearing on Amazon.com and Barnes and Noble. Bookflash.com has a press release on the book itself as well as personal information about me. Selections from each of the four novellas may be accessed at my publisher’s website, www.hatsoffbooks. com. A major and recent review has appeared on Breenibooks.com, April 2008. Interviews with me have appeared in Bookpleasures.com, Subtletea.com and Derek Alger, of Perigee.com, has just completed one in April, to be published with other interviews by that magazine within a year.

The book has been a decade in the writing. I believe it to be of significance.

A remarkable review by editor David Herrle was published in his ezine (25 pages!). The autobiographical essay which ends my book, titled Raison d’Etre, was published in its entirety with a critical introduction in New Therapist Magaine, May/June 2006, a special issue on the Holocaust in South Africa. And The Jewish Telegraph in Manchester, England, published a full-page interview with me in August 2006. I have also been reviewed in Bengal, India, Quill & Ink.

Thank you.

Sincerely,

Mathias B. Freese, CSW

Query Letter for Gruffworld

Although the book was not accepted for publication, I believe the query got me read. The credits at the end are omitted. If I were to try to get it reviewed on a blog or ezine, I might very well use the same language, with adjustments here and there and a bit of fine tuning to compensate for time that has passed.

Dear . . .:

When Millea Kenin, editor of Owlflight, published “Covenant,” the first chapter in my fantasy novel, GRUFFWORLD, she wrote: “I like the description of an exotic being’s life-style — in a way, it combines the enjoyment of reading a science fiction story with that of reading an article in Natural History. . . .”

The novel I am offering (339 pages) takes a creature (“Gruff”) from primal and instinctual needs to a higher level of awareness; in short, the sequence is an incremental progression of the development — and haphazard — emergence of consciousness in an unlikely life form — a primal bildungsroman, if you will.

Issues of loss, abandonment, separation, isolation, relationship, identity, trust and repetition compulsion permeate the entire cycle. What I have worked on is more than consciousness, but awareness  — this creature struggles to see, much as Eastern thought teaches us. Parenthetically, it is more than insight. It is the capacity to see free of past image, prior conditioning, memory, desire or understanding.

In order to create a resonance in terms of intent or meaning, I have purposely created new words to contain and explain this new world — they are not misspellings.

Gruff lives in an apocalyptic world. Unbridled instinct is the internal tantrum within anumal life and evolution is a downward spiral. From this primordial anomie shards of purpose make themselves know to the Gruff. Randomly he has been selected from all his kind to develop in ways that ultimately separate and distance him from his primal horde.

From this hinterland of reality and fantasy, at the horizon at which they merge, I move this creature through a series of adventures — and tasks — that are reminiscent perhaps of early man’s efforts. Consequently Gruff as name-giver, labeller of his world, as self-emergence itself; Gruff brooding his way into identity and selfdom are the internal and external tides that beset him.

As to my own expertise and background, I am etc, etc.

If you would like to review this manuscript please advise.

Three Engines Leaving the Station

I have been away from blogging because I am completing three works, a short story collection, a book of essays and an extended memoir/reminiscence about my long-distant relationship as a reader and student of Krishnamurti, the spiritual teacher. After a rather negative experience with Red Willow Digital Press (stay away!) in which the editor failed to edit the book as stated in the contract with the flimsiest of excuses and other aberrations uncommon in a writer-publisher relationship, I withdrew my manuscript and decided to self-publish, going back to Wheatmark in Arizona who had published my first two books.

At this time after a final “scrubbing” by Jane, the manuscript goes out this week to be formatted for publication. I also contracted to have it converted for ebook reading, Kindle, in this instance. Within a week the book on Krishnamurti will be forwarded to David Herrle for his editorial insight. So, once again, I have monetarily invested in my own creative efforts. However, the third engine about to depart is “I Truly Lament,” a short story book on the Holocaust which is something I will coddle and pamper for a while, sending it out to contests, et al. I need a special publisher for this book, and if it is not to be, I’ll reach into my pockets and assist myself. The Kirshnamurti effort, “Ducks and Drakes with Krishnaji,” needs a specialized press, such as Shambala, etc. Needless to say, three books rarin’ to go is a delight.

Behind this flurry of writerly activity is the very conscious effort on my part to beat the clock, which is a first-rate delusion in any case. Medical issues have me sucking out the marrow of each day; Krishnaji would say that dying every day is much the same as living each day and if you can get a rational handle on that, one can “die” to many things — attachments, material things, etc. If all this work is published, I will have completed five books since 2005, not bad for an old codger whose young mind is hidden away in creaking joints and overall creeping decrepitude. I am always reminded of Asimov who said he would type faster if he knew he was to die shortly.

At this moment I am filled with many of Krishnaji’s words which are floating about in mind; consequently, I believe his comments on death and life are very apt, for if you consider each day as your last, imagine what you could accomplish, for many of us wait on life. For me, in my biased way, wasting time on a golf course in regular playing, in its very performance, denies essentials of living. By writing, singing, performing, painting, all the efforts of the artist, are great swings for the centerfield fence, for in that artistic blast to the outfield is a need to express, to give intent to life. Golf is above par here, always will be. I like money, I don’t love money, it is to be spent in order to make merry, as I see it. Never have had much of the greenbacks, but I have been filled with a need to “produce” something else. I am a “job creator” of artistic expression, totally of no importance to the mass of men, especially in this country.

The fantasy is to have a shelf with all five books to self-admire, allow me that. I have no idea whatsoever what I will write next, but I do believe the next book is already written in my unconscious mind. I have always known that, believed in that. In a way all artists channel their unconscious minds into the conscious world; it is the artist who trusts his nether empire who produces worthy art. Having had a lifetime of living with my unconscious, now and then it makes its conscious appearance to my surprise. I count on it. I  trust it. And when I begin to write I look forward to its appearance. When I write I most definitely do not censor myself, allowing what I write to just come forth, not resisting the flow, not putting up dams. The original book, i, was written in two weeks, off and on. It just rampaged forth. That was the best proof I ever had as a writer of what each of us has within us if we only open up the sluice gates.

If you don’t believe in the unconscious, you are a conscious fool, a Palin.

Query Letter for Down to a Sunless Sea

Dear Editor:

I am querying you as to a possible review of Down to a Sunless Sea.

This short story collection presents a variety of styles, providing a different reading experience — poetic, journalistic, nostalgic, wrlyly humorous and even macabre. “Herbie” was listed in Martha Foley’s The Best American Short Stories of 1974. I was in good company that year — Norman Mailer, Joyce Carol Oates, and I.B. Singer, among others. Nine of these stories have been published in the “little” magazines over the years, the most recent in 2007 in France, La Fenetre.

The range is wide, yet the common thread is to compel the reader to feel for these characters. Readers are plunged into uncomfortable situations and into the minds of troubled, complex human beings.

In Down to a Sunless Sea to be understood — to be felt — is given ardent, strong and imaginative voice. Tracy-Jane Newton, a British editor, Alternative-Read. com, writes: “Mathias B. Freese has the ability, without mawkishness or sentimentality, to delve into the struggles of life.” David Herrle, editor and founder of Subtle Tea, best sums up my efforts: “Dare to observe shadow dwellers limelit by sometimes austere, always wired and deep Freese, tune your taste ‘for a dose of Freudian sauce,’ and don’t be too daunted by the tinge of suspicious ash in the sunless air.”

An award-winning essayist and author of The i Tetralogy, a historical fiction about the Holocaust which has garnered remarkable praise around the world, the weight of my twenty-five years as a psychotherapist comes into play as I hopefully demonstrate a vivid understanding — and compassion — toward the deviant and damaged.

Down to a Sunless Sea has just won the 2008 Allbooks Review Editor’s Choice Award. This is my second Allbooks Award, the first for The i Tetralogy, a powerful and uncompromising study of the death camps during the Holocaust. I am listed on Amazon.com and Barnes and Noble.

Sincerely,

Mathias B. Freese

 

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